Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue.
Daniel lives in Portland, Oregon.
I’m teaching a class in Pastels at Hipbone Studio this month. Ariel will be my model, she dropped by the studio yesterday to help me make a few teaching aids. Here’s a sample of what you’ll learn in the class. Thanks Ariel for your help. [fb_like]
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I found these in my newsprint pad, a couple of nice drawings that didn’t make it with there earlier posts. I like this one of Trisha in the hat. The second is the last drawing of Samantha from Deer Island. I drew most of it in the dark, that’s why it looks like a banana. [fb_like]
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My friend James King mentioned the Sunday session over at PNCA to me yesterday. He told me Louise was to be the model. I’d drawn her before in a basement session in NE Portland. She had great presence so I thought that I would give it a shot. Nice to see both Jodi But and F.X. Rosica there. It’s…
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Saturday found me groggy and out of any deep browns to use on my sketches of Trisha. I’d drawn her before, in pen but never with pastel. I even had a good time on the dreaded “Kneecap, Nipple, Nostril” reclining pose. I’ve missed the one with the hat. I’ll add it in when I remember where I put it. [fb_like]
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These are pastel studies from last Wednesday. Krissy was the afternoon model and Julie, the evening. I got lost in Julie’s hair on her last pose, wishing I’d brought some oils and had a couple of hours to study all of that gold,
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I’ve refreshed my technique with pastels in preparation for my upcoming workshop. Last night was the last 3 hour session in the long-term series for February at Hipbone Studio. Last week I did a straight portrait of Ariel from the shadow side of the pose. I composed the piece with a raw sienna pastel straight on to the page. I kept the palette simple, 5 – 6…
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It was supposed to snow yesterday here in Portland, Oregon. People tend to panic when that happens and Hipbone had a light crowd for both sessions. I was in a cartoony mood and had a great time drawing Elona in her hat, her boots and on a bicycle, sans the bicycle. Paula was the second model. She brought HER hat, her banjo…
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I’m teaching a pastel seminar in March at Hipbone Studio so I’ve dropped the pen and sketchbook for the time being and picked up the pastel. I shot these with my iPhone on location, hence the color and the weird shadows. The model today was Sivonna, a woman my friend James told me about. He sketched her lips…
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Here’s a pastel of Ariel at the Hipbone Studio February Long Term Pose. I came into this session on the second sitting so most of the front and three-quarter places were taken. I decided to give Ariel’s profile a go. She has an amazing nose and a forehead that’s covered in bangs most of the time. I’m a big fan of…
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Deer Island and Sister Thyme
I spent Thursday and Friday at Dee Vadnais’ house in Deer Island with Quin Sweetman, Erik Sandgren, Gretchen Vadnais and Kathryn Cotnoir drawing one of my favorite models, Samantha Beasley. There was snow on the ground, wonderful food and excellent company. Thanks to everyone and special thanks to Dee for getting this together and to Samantha for her inspiring work.…
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