Long Term Pose

We had our first long term pose at the Riv­oli last evening, Stan the Man, the model and I did a 30 min and set­tled into this pose for the remain­der of the three hours.
We started with a sit­ting pose, then Stan sug­gested that we put the model on a fold­ing card table. I had my doubts that the thing would hold but she made it though with no prob­lem at all. I’ve never been a fan of reclin­ing poses and this one was no excep­tion. I drew it twice, wiped it out, drew it again and finally got it on the third round. I had lit­tle time left to work on the mod­el­ing so I con­cen­trated on the back­ground and the props instead. It has a nice French poster kind of feel and I’m happy with the results. Not bad for the first long pose.

Pris­ma­color Nupas­tel on Stone­henge paper

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

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