Study in Cream

I’ve worked with a lot of mod­els over the years, all shapes and sizes, many pro­fes­sional and many more ama­teur. I heard quite a few sto­ries in that time, anec­dotes about other artists, plenty of sto­ries about boyfriends and lovers and lots of things that I can’t repeat to the gen­eral pub­lic. I’ll have to write a book someday.

There’s a story behind this draw­ing as well. I was work­ing with a model the day before this young lady sat for me. She was telling me about her artist friend who loved to work with heavy peo­ple. “She imag­ines them as ice cream cones” That visual stuck in my head and I as thought about it, I indeed imag­ined ice cream. Zestos is a place in Atlanta that still does the soft serves, magic in it’s cush­iony lay­ers. I drew this piece in 45 min­utes, straight from the time the model set down to the fin­ished piece. I guess there’s really some­thing to the power of suggestion.

Nude pas­tel draw­ing done with Schminke pas­tels on Rives BFK paper.

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

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