Por­trait of Kris

I met Kris in 2004 after she’d just returned from India. The first piece that we cre­ated was an oil pas­tel draw­ing, Shim­mer in the oil pas­tels sec­tion. Kris has a won­der­ful deep glow about her and India red was a nat­ural back­drop for her por­trait. I had this life draw­ing on dis­play at Hip­bone Stu­dio where my col­league, Julie Neil­son fell in love with it. It hangs in her liv­ing room above the fireplace.

I used two dif­fer­ent tech­niques for the high­lights on this pas­tel draw­ing. The face and upper torso are ren­dered in a removal process, the legs are built up in a tra­di­tional dark to light method. Com­pare the two and notice how the upper body glows with a tremen­dous lumi­nos­ity. I have a video in the works teach­ing this tech­nique. Sign up for my mail­ing list to be the noti­fied for this exclu­sive offer via email.

Nude pas­tel draw­ing done with Schminke pas­tels on Rives BFK paper. Col­lec­tion of Jule Neilson.

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

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