Study of Kestrel

A pas­tel draw­ing from a life draw­ing ses­sion at the old Hip­bone Stu­dio in Port­land. The space was about 20 feet wide and 3 times as long, it was usu­ally jammed packed at the Thurs­day night long term pose. This nude fig­ure study was com­pleted in one three hour ses­sion. Kestral was tanned at the time which gave her skin a faint orange glow against the slate blue wall. I pushed the col­ors and blended her face with the back­ground. The legs look a bit like red bananas, my nick­name for this piece.

Nude pas­tel draw­ing done with Schminke pas­tels on Rives BFK paper.

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

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