Julika and her Cello

Every so often a model askes to sit for me with their musi­cal instru­ment. I’ve painted two vio­lins and Julika with her cello. I’ve men­tion before how much I admire Gau­guin and The Por­trait Of Fritz Schek­lud. I chose my oranges based on his for this piece. I’m very found of the work in the back, the reflected light from the cello.

A nude pas­tel draw­ing done with Schminke pas­tels on Rives BFK paper.

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

One Response to Julika and her Cello
  1. Amy with her Violin | Figuredrawing.net
    October 18, 2010 | 11:40 am

    […] same effect on Amy. This is sec­ond nude with a vio­lin that I’ve drawn and the third with a musi­cal instru­ment. I’ve heard it said that the body of the vio­lin and the cello are based on the female torso, I […]

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