Blue Vio­lin

I had break­fast this morn­ing with my friends Zack and Samara. We were talk­ing about my new stu­dio at the Riv­oli Art Mill here in Chat­tanooga, TN. The con­ver­sa­tion rolled around to Cello play­ers, Gauguin’s Cel­list in par­tic­u­lar. I men­tioned that I’d never painted a cello, but I have. That’s tomorrow’s post. Today is for Sara and her vio­lin. I used Pris­ma­color Nupas­tel on Stone­henge paper for this par­tic­u­lar piece.

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

One Response to Blue Vio­lin
  1. Amy with her Violin - Figuredrawing.net
    December 5, 2009 | 8:49 am

    […] more than 15 min­utes with­out falling asleep, it had the same effect on Amy. This is sec­ond nude with a vio­lin that I’ve drawn and the third with a musi­cal instru­ment. I’ve heard it said that the body […]

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