Study of Spirit in Yellow

From a series of nude sketches in pas­tel. I use a rub out tech­nique taught to me by the late Lee Bomhoff, an Atlanta artist. I pull the pas­tel back off of the sur­face, giv­ing the fig­ure a very lumi­nous qual­ity as the paper itself is show­ing back through the lay­ers of pig­ment. I’ll be doing a tuto­r­ial on this method in the near future. Sign up for my mail­ing list to stay informed.

A pas­tel draw­ing done with Schminke pas­tels on Rives BFK paper.

Written by Daniel

Daniel Gill studied art with Joe Helseth and Bill Ransom in Chattanooga, Tennessee. He began his career as an art director in 1983 and has been an award winning graphic designer-illustrator for more than 20 years. Daniel has taught illustration at the Portfolio Center in Atlanta, Georgia and at The Pacific Northwest College of Art in Portland, Oregon. He was one of the founding members of the Illustrators’ Jam which later became Raw Visceralia, an art experience at PNCA. Pastels were Daniel’s first love. Counting Gary Kelley, Edward Degas and Toulouse Lautrec among his influences. He discovered oils in 2006 and is currently working on the series, Connective Tissue. Daniel lives in Portland, Oregon.

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